David Bilger, Trumpet
David Bilger holds a Master of Music degree from the Juilliard School of Music and a Bachelor of Music degree from the University of Illinois. Hailed by the New York Times for his playing of “easy brilliance” and by the Washington Post for his “engaging legato touch,” he has held the position of principal trumpet of The Philadelphia Orchestra since 1995. Prior to joining the Orchestra, he held the same position with the Dallas Symphony. As a soloist Mr. Bilger has appeared with The Philadelphia Orchestra, the Dallas Symphony, the Houston Symphony, the Chamber Orchestra of Philadelphia, the Oakland Symphony, the Indianapolis Chamber Orchestra, Philharmonia Virtuosi of New York, and others. His solo appearances with The Philadelphia Orchestra include recent 2013 performances of the Hummel Trumpet Concerto, a 2008 United States premiere of Herbert Willi’s Eirene for trumpet and orchestra; the Tomasi Trumpet Concerto at Carnegie Hall and on tour in North and South America in 1998; Haydn’s Trumpet Concerto in February 2003; Copland’s Quiet City in October 2004; and Bloch’s Proclamation in 2006. Mr. Bilger has performed recitals in New York, Washington D.C., Cleveland, Los Angeles, Philadelphia, and other major American cities. Mr. Bilger has appeared with the Chamber Music Society of Lincoln Center, with which he recorded Bach’s Second Brandenburg Concerto. Other chamber music appearances include Chamber Music Northwest, the New York Trumpet Ensemble, Saint Luke’s Chamber Ensemble, as well as guest appearances with the Canadian Brass and the Empire Brass. He also released a recording of new electro-acoustic music for trumpet and synthesizers with composer Meg Bowles. Mr. Bilger is currently on the music faculties of the Curtis Institute of Music and Temple University, and he has formerly been affiliated with the University of Georgia, Swarthmore College, Catholic University, Rice University, and the University of North Texas. He has performed master classes at dozens of institutions, including the Juilliard School of Music, Indiana University, the University of Michigan, the Manhattan School of Music, and the Peabody Conservatory. He has also taught at the Pacific Music Festival and the National Orchestral Institute, and most recently at the Aspen Music Festival and School.
Anthony Prisk joined The Philadelphia Orchestra as second trumpet in August 2013; previously he was a member of the Houston Symphony for 11 seasons. He has performed internationally with several orchestras and music festivals, including the Los Angeles Philharmonic, the Grant Park Festival Orchestra, the Montreal Symphony, the Boston Symphony, the Moscow Philharmonic, the New World Symphony. He attended the Tanglewood Music Center, the Pacific Music Festival, the Music Academy of the West, the Spoleto Festival, the Cabrillo Music Festival, and the Aspen Music Festival. Mr. Prisk won two international trumpet competitions through the International Trumpet Guild and was a soloist with the New World Symphony. He has also been a finalist for several orchestral positions, including with the Chicago Symphony, the San Francisco Symphony, The Philadelphia Orchestra, and the Cleveland Orchestra. He can be heard on recordings with the Houston Symphony, the New World Symphony, the Spoleto Festival Orchestra, and the McGill Symphony. Mr. Prisk grew up in Lombard, Illinois, a suburb of Chicago. He began playing trumpet in the local school band program at age 10. He attended the University of Illinois, where he studied trumpet with Ray Sasaki and Michael Ewald. He received his Bachelor of Music degree in 1996 and moved to Montreal to study at McGill University. While in Montreal he studied orchestral repertoire with Paul Merkelo, principal trumpet of the Montreal Symphony. After completing his Master of Music degree he was chosen for a fellowship with the New World Symphony in Miami Beach, where he trained with leading orchestral musicians from around the country. His many teachers include Michael Sachs, Adolf Herseth, David Bilger, Mark Gould, and John Hagstrom. Teaching and community outreach are important to Mr. Prisk. He participated in the Fidelity Future Stage program, bringing instrumental music instruction to inner city schools. He was added to the faculty at the University of Houston before his departure and has presented master classes at the New World Symphony, the University of Texas, Baylor University, Bolling Green State University, Northwestern University, and Iowa State University, among others. In his free time Mr. Prisk enjoys racing cars, running, bodybuilding, riding his Harley, eating great food, and enjoying time with friends.
Jeffrey Lang is the Associate Principal Horn of the Philadelphia Orchestra and is currently on the faculties of Bard College, Temple University and the Curtis Institute of Music . Formerly principal horn of the Israel Philharmonic and the American Symphony Orchestra, he has also performed as guest principal horn of the Bavarian Radio Orchestra, the New York City Opera and the Orpheus Chamber Orchestra. Jeffrey studied at the Juilliard School and Temple University, and has given masterclasses in Israel, Finland, Korea, China and the USA. He is a frequent soloist and has appeared with Zubin Mehta, Mung-Whun Chung, Kurt Masur , Cristian Macelaru, and Rossen Milanov conducting. Chamber music performances at home and abroad have included concerts with Bella Davidovitch, Diane Walsh, Simone Dinnerstein, The Israel Piano Trio, the Wister Quartet, , Melvin Chen, the Canadian Brass, members of the Philadelphia Orchestra and The Chamber Music Society of Lincoln Center. He has participated in the Kingston Chamber Music Festival, Bard Summerscape, OK Mozart and the Spoleto Festival.
Jeffrey records for several TV, film, and commercial artists in the metropolitan area and was Principal horn of Disney's long running Broadway hit, Beauty and the Beast. He is an active member of the Recording Academy, the International Horn Society and the American Federation of Musicians. Jeffrey has recently released a solo horn album " One World Horn", a charitable project presenting unaccompanied horn works from around the world. A live recording of Richard Wilson's Concerto Triple Concerto for Horn, Marimba and Bass Clarinet is also available on iTunes with the American Symphony Orchestra. He is also an active partner in Central Jersey’s premier recording studio, Whitebrow Recording. Jeffrey lives in New Jersey with his wife, Finnish cellist Elina Snellman-Lang, and their two sons, Johannes and Markus.
Nitzan Haroz, a native of Israel, rejoins The Philadelphia Orchestra as principal trombone in 2014 after holding the same position with the Los Angeles Philharmonic since 2012. Previously he was principal trombone of The Philadelphia Orchestra since 1995 after serving as assistant principal trombone of the New York Philharmonic and principal trombone of the Israel Symphony and Opera Orchestra. He was also first trombone of the Israel Defense Forces Orchestra and performed with the Jerusalem Symphony. Mr. Haroz has appeared as a soloist with The Philadelphia Orchestra (which included his Carnegie Hall solo debut, where he gave the world premiere of Blue Winter for trombone and orchestra by Roland Pöntinen), the Israel Philharmonic, the Israel Symphony, the Jerusalem Symphony, the Sofia Radio Symphony, and the Fairbanks Symphony, among others, and he is an active recitalist and chamber musician. Mr. Haroz is a first-prize winner of the François Shapira Competition in Israel and a former scholarship recipient of the America-Israel Cultural Foundation. He has commissioned and premiered several works for trombone and harp with his mother, harpist Adina Haroz. He is a frequent clinician at trombone conferences world-wide and has given master classes and recitals in Israel, the U.S., Europe, and Asia. Mr. Haroz has performed with the New York, Philadelphia, and Israel brass ensembles; the Rishon-Le Zion Brass Quintet; and many other chamber groups. His teachers included Eli Aharoni, Mitchel Ross in Israel, and Joseph Alessi at the Juilliard School. Mr. Haroz’s recording, Towards the Light, was released in 2004. He currently serves on the faculty of the Curtis Institute of Music in Philadelphia.
Praised by the Philadelphia Inquirer as having “a sound as clear and sure as it [is] luxurious,” Carol Jantsch has been principal tuba of The Philadelphia Orchestra since 2006. She won the position during her senior year at the University of Michigan, becoming the first female tuba player in a major symphony orchestra. In addition to her duties in The Philadelphia Orchestra, Ms. Jantsch is a renowned tuba soloist. She gives solo recitals regularly and has appeared as a concerto soloist with various ensembles, including The Philadelphia Orchestra, the Columbus Symphony, the St. Petersburg Symphony in Russia, the Henry Mancini Institute Orchestra, and the United States Marine Band. She has performed in Carnegie Hall’s Zankel Hall with the Musical Olympus Festival, and she has appeared on the radio on NPR’s series From the Top and Interlochen Public Radio’s Live from Studio A. In 2009 she was honored with a “Best of Philly” award from Philadelphia magazine. She has also won prizes in several international solo tuba competitions and alumni awards from both the Interlochen Arts Academy and the University of Michigan. Ms. Jantsch is in increasing demand as a teacher worldwide, having given master classes in Europe, Asia, and North America. She enjoys working with young musicians, and she has been a featured artist at various brass festivals in Finland, Germany, Canada, and the United States. She is on the faculties of the Yale University School of Music and Temple University’s Boyer College of Music. Raised in a musical family, Ms. Jantsch began piano lessons at age six and began studying euphonium at the Interlochen Arts Camp at age nine. After switching to tuba, she attended the prestigious arts boarding high school Interlochen Arts Academy, graduating as salutatorian of her class. She continued her studies at the University of Michigan under the tutelage of Fritz Kaenzig. After winning her position with The Philadelphia Orchestra in February 2006, she returned to Michigan to complete her Bachelor of Music degree, graduating with highest honors. Ms. Jantsch can be heard on numerous Philadelphia Orchestra recordings, including the 2010 release of Ewald Quintets No. 1 and 3 with fellow Philadelphia Orchestra principal brass. She released her first solo recording, Cascades, in 2009. In 2013 she premiered Reflections on the Mississippi, a tuba concerto written for her by Grammy Award-winning composer Michael Daugherty. She has recorded this work with the Temple University Symphony Orchestra and with the University of Michigan Symphony Band. Ms. Jantsch is a Yamaha Performing Artist. She plays a Yamaha YFB-822 F tuba and a B&S Perantucci PT-6PS CC tuba.