2020-2021 Season

INON BARNATAN, PIANO; ARNAUD SUSSMANN, VIOLIN; JENNIFER FRAUTSCHI, VIOLIN, PAUL NEUBAUER, VIOLA; NICK CANELLAKIS, CELLO

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PROGRAM

• Bruch – Selection from Eight Pieces for Clarinet, Viola and Piano, Op.83

• Milhaud – Suite for Clarinet, Violin and Piano, Op. 157b 

• Shostakovich – Five pieces

• Schoenfield Trio for Clarinet, Violin and Piano trio

Program Notes

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ARTIST BIOS

• INON BARNATAN

  Clarinetist Anthony McGill is one of classical music’s most recognizable and brilliantly multifaceted figures. He serves as the principal clarinet of the New York Philharmonic — that orchestra’s first African-American principal player — and maintains a dynamic international solo and chamber music career. Hailed for his “trademark brilliance, penetrating sound and rich character” (The New York Times), as well as for his “exquisite combination of technical refinement and expressive radiance” (The Baltimore Sun), McGill also serves as an ardent advocate for helping music education reach underserved communities and for addressing issues of diversity, equity, and inclusion in classical music. McGill was honored to take part in the inauguration of President Barack Obama, premiering a piece written for the occasion by John Williams and performing alongside violinist Itzhak Perlman, cellist Yo-Yo Ma, and pianist Gabriela Montero.

  McGill’s 2019-20 season includes the premiere of a new work by Tyshawn Sorey at the 92Y, and a special collaboration with mezzo-soprano Joyce DiDonato at Carnegie Hall. He will be a featured soloist at the Kennedy Center performing the Copland concerto at the SHIFT Festival of American Orchestras with the Jacksonville Symphony. He will additional perform concertos by Copland, Mozart, and Danielpour with the Richmond, Delaware, Alabama, Reno, and San Antonio Symphonies. Additional collaborations include programs with Gloria Chien, Demarre McGill, Michael McHale, Anna Polonsky, Arnaud Sussmann, and the Pacifica Quartet.

  McGill appears regularly as a soloist with top orchestras around North America including the New York Philharmonic, Metropolitan Opera, Baltimore Symphony, San Diego Symphony, and Kansas City Symphony. As a chamber musician, McGill is a favorite collaborator of the Brentano, Daedalus, Guarneri, JACK, Miró, Pacifica, Shanghai, Takacs, and Tokyo Quartets, as well as Emanuel Ax, Inon Barnatan, Gloria Chien, Yefim Bronfman, Gil Shaham, Midori, Mitsuko Uchida, and Lang Lang. He has led tours with Musicians from Marlboro and regularly performs for the Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. Festival appearances include Tanglewood, Marlboro, Mainly Mozart, Music@Menlo, and the Santa Fe, Seattle, and Skaneateles Chamber Music Festivals.

  In January 2015, McGill recorded the Nielsen Clarinet Concerto together with Alan Gilbert and the New York Philharmonic, which was released on DaCapo Records. He also recorded an album together with his brother Demarre McGill, principal flute of the Seattle Symphony, and pianist Michael McHale; and one featuring the Mozart and Brahms Clarinet Quintet with the Pacifica Quartet that were both released by Cedille Records.

  A dedicated champion of new music, in 2014, McGill premiered a new piece written for him by Richard Danielpour entitled “From the Mountaintop” that was commissioned by the New Jersey Symphony, Kansas City Symphony, and Orchestra 2001. McGill served as the 2015-16 Artist-in-Residence for WQXR and has appeared on Performance Today, MPR’s St. Paul Sunday Morning, and Mr. Roger’s Neighborhood. In 2013, McGill appeared on the NBC Nightly News and on MSNBC, in stories highlighting the McGill brothers’ inspirational story.

  A graduate of the Curtis Institute of Music, McGill previously served as the principal clarinet of the Metropolitan Opera and associate principal clarinet of the Cincinnati Symphony Orchestra. In-demand as a teacher, he serves on the faculty of the Juilliard School, the Curtis Institute of Music, and Bard College’s Conservatory of Music. He also serves as the Artistic Advisor for the Music Advancement Program at the Juilliard School, on the Board of Directors for both the League of American Orchestra and the Harmony Program, and the advisory council for the InterSchool Orchestras of New York.

• ARNAUD SUSSMANN

  Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura and profound musicianship. Minnesota’s Pio- neer Press writes, “Sussmann has an old-school sound reminiscent of what you’ll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener. His clear tone [is] a thing of awe-inspiring beauty, his phrasing spellbinding.”

  A thrilling young musician capturing the attention of classical critics and audiences around the world, Arnaud Sussmann has appeared with the American Symphony Or- chestra, Buffalo Philharmonic, New World Symphony, Pacific Symphony, Paris Chamber Orchestra, Jerusalem Symphony and the Vancouver Symphony Orchestra. Further solo appearances have included a tour of Israel and concerts at Lincoln Cen- ter’s Alice Tully Hall, Dresden Music Festival in Germany and at the Phillips Collec- tion in Washington, D.C. Mr. Sussmann has been presented in recital in Omaha on the Tuesday Musical Club series, New Orleans by the Friends of Music, Tel Aviv at the Museum of Art and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Chamber Music Northwest and Moritzburg festivals and appears regular- ly at the Caramoor, Music@Menlo, La Jolla SummerFest, Seattle Chamber Music, Moab Music and Saratoga Springs Chamber Music festivals.

  Recent concerto appearances include performances with Maestro Valery Gergiev and the Mariinsky Orchestra at the White Nights Festival in St Petersburg, the Santa Rosa Symphony, the Albany Symphony, the Jacksonville Symphony and the Grand Rapids Symphony. This past season, chamber music performances included tours with the Chamber Music Society of Lincoln Center to Korea’s LG Arts Center, Shanghai’s Oriental Center and Hong Kong’s Music Academy.

  Arnaud Sussmann has performed with many of today’s leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenazi, Wu Han, David Finckel, Jan Vogler and members of the Emerson String Quartet. He has worked with conductors such as Cristian Macelaru, Marcelo Lehninger, Rune Bergmann and Leon Botstein. A dedicated chamber musician, he has been a member of the Chamber Mu- sic Society of Lincoln Center since 2006 and has regularly appeared with them in New York and on tour, including a recent concert at London’s Wigmore Hall.

  A frequent recording artist, Arnaud Sussmann has released albums on Deutsche Grammophon’s DG Concert Series, Naxos, Albany Records and CMS Studio Recordings labels. His solo debut disc, featuring three Brahms Violin Sonatas with pianist Orion Weiss, was released in December 2014 on the Telos Music Label. He has been featured on multiple PBS’ Live from Lincoln Center broadcasts alongside Itzhak Perlman and the Perlman Music Program and with musicians of the Chamber Music Society of Lincoln Center.

  Born in Strasbourg, France and based now in New York City, Arnaud Sussmann trained at the Conservatoire de Paris and the Juilliard School with Boris Garlitsky and Itzhak Perlman. Winner of several international competitions, including the Andrea Postacchini of Italy and Vatelot/Rampal of France, he was named a Starling Fellow in 2006, an honor which allowed him to be Mr. Perlman’s teaching assistant for two years. Mr. Sussmann now teaches at Stony Brook University on Long Island and was recently named Co-Artistic Director of Music@Menlo’s International Chamber Music Program. He is also the new Artistic Director of the Chamber Music Society of Palm Beach in Florida.

• JENNIFER FRAUTSCHI

  Pianist Gloria Chien has been picked by the Boston Globe as one of the Superior Pianists of the year, “… who appears to excel in everything.” Richard Dyer praises her for “a wondrously rich palette of colors, which she mixes with dashing bravado and with an uncanny precision of calibration…Chien’s performance had it all, and it was fabulous.”

  Gloria made her orchestral debut at the age of 16 with the Boston Symphony Orchestra. Since then, she has appeared as a soloist under the batons of Sergiu Comissiona, Keith Lockhart, Thomas Dausgaard, Irwin Hoffman, Benjamin Zander, and Robert Bernhardt. She is a prize winner of the World Piano Competition, Harvard Musical Association Award, as well as the San Antonio International Piano Competition, where she also received the prize for the Best Performance of the Commissioned Work. Gloria has presented solo recitals at the Isabella Stewart Gardner Museum, Harvard Musical Association, Sanibel Musical Festival, Caramoor Musical Festival, Salle Cortot in Paris, and the National Concert Hall in Taiwan.

  An avid chamber musician, Gloria has been the resident pianist with the Chameleon Arts Ensemble of Boston since 2000, a group known for its versatility and commitment to new music. Boston Herald praises her for “ [playing] phenomenally.” Her recent CD with violinist, Joanna Kurkowicz, featuring music of Grazyna Bacewicz was released on Chandos Records. The International Record Review writes, “[the violinist] could ask for no more sensitive or supportive a pianist than Gloria Chien.” Harmonie Magazine writes, “…but it would be unfair not to mention the pianist, who is accompanying the soloist in an absolutely responsive, impressive and confident way. She is more than an accompanist — rather, she is an equivalent partner to the soloist.” The Strad praises her for “super performances…accompanied with great character.” She also received fantastic reviews in Gramophone, American Record Guide, and Muzyka 21. Gloria has participated in such festivals as Chamber Music Northwest, Music Academy of the West, Verbier Music Festival, Bay Chamber Concerts, and Music@Menlo, where she was appointed Director of the Chamber Music Institute in 2010 by Artistic Directors, David Finckel and Wu Han.

  Her recent performances include collaborations with the St. Lawrence, Miró, Borromeo, Daedalus and Jupiter String Quartets, David Shifrin, Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, Cho-Liang Lin, Ani Kavafian, Ida Kavafian, Wu Han, Rob Kapilow, Paul Neubauer, Roberto Diaz, Andres Diaz, Sharon Robinson, James Ehnes, Nai-Yuan Hu, Bion Tsang, Soovin Kim, Carolin Widmann, Edward Arron and Anthony McGill.

  In fall of 2009, Gloria launched String Theory at the Hunter, a chamber music series at the Hunter Museum of American Art in downtown Chattanooga, as its founder and artistic director.

  Gloria began playing the piano at the age of five in her native Taiwan. She has a doctor of musical arts, a master’s and an undergraduate degree from the New England Conservatory of Music in Boston. Her teachers have included Russell Sherman and Wha-Kyung Byun. Gloria is an Associate Professor at Lee University in Cleveland, TN, and will be a member of the prestigious Chamber Music Society Two of Lincoln Center starting fall of 2012. Gloria is a Steinway Artist.

• PAUL NEUBAUER

  Pianist Gloria Chien has been picked by the Boston Globe as one of the Superior Pianists of the year, “… who appears to excel in everything.” Richard Dyer praises her for “a wondrously rich palette of colors, which she mixes with dashing bravado and with an uncanny precision of calibration…Chien’s performance had it all, and it was fabulous.”

  Gloria made her orchestral debut at the age of 16 with the Boston Symphony Orchestra. Since then, she has appeared as a soloist under the batons of Sergiu Comissiona, Keith Lockhart, Thomas Dausgaard, Irwin Hoffman, Benjamin Zander, and Robert Bernhardt. She is a prize winner of the World Piano Competition, Harvard Musical Association Award, as well as the San Antonio International Piano Competition, where she also received the prize for the Best Performance of the Commissioned Work. Gloria has presented solo recitals at the Isabella Stewart Gardner Museum, Harvard Musical Association, Sanibel Musical Festival, Caramoor Musical Festival, Salle Cortot in Paris, and the National Concert Hall in Taiwan.

  An avid chamber musician, Gloria has been the resident pianist with the Chameleon Arts Ensemble of Boston since 2000, a group known for its versatility and commitment to new music. Boston Herald praises her for “ [playing] phenomenally.” Her recent CD with violinist, Joanna Kurkowicz, featuring music of Grazyna Bacewicz was released on Chandos Records. The International Record Review writes, “[the violinist] could ask for no more sensitive or supportive a pianist than Gloria Chien.” Harmonie Magazine writes, “…but it would be unfair not to mention the pianist, who is accompanying the soloist in an absolutely responsive, impressive and confident way. She is more than an accompanist — rather, she is an equivalent partner to the soloist.” The Strad praises her for “super performances…accompanied with great character.” She also received fantastic reviews in Gramophone, American Record Guide, and Muzyka 21. Gloria has participated in such festivals as Chamber Music Northwest, Music Academy of the West, Verbier Music Festival, Bay Chamber Concerts, and Music@Menlo, where she was appointed Director of the Chamber Music Institute in 2010 by Artistic Directors, David Finckel and Wu Han.

  Her recent performances include collaborations with the St. Lawrence, Miró, Borromeo, Daedalus and Jupiter String Quartets, David Shifrin, Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, Cho-Liang Lin, Ani Kavafian, Ida Kavafian, Wu Han, Rob Kapilow, Paul Neubauer, Roberto Diaz, Andres Diaz, Sharon Robinson, James Ehnes, Nai-Yuan Hu, Bion Tsang, Soovin Kim, Carolin Widmann, Edward Arron and Anthony McGill.

  In fall of 2009, Gloria launched String Theory at the Hunter, a chamber music series at the Hunter Museum of American Art in downtown Chattanooga, as its founder and artistic director.

  Gloria began playing the piano at the age of five in her native Taiwan. She has a doctor of musical arts, a master’s and an undergraduate degree from the New England Conservatory of Music in Boston. Her teachers have included Russell Sherman and Wha-Kyung Byun. Gloria is an Associate Professor at Lee University in Cleveland, TN, and will be a member of the prestigious Chamber Music Society Two of Lincoln Center starting fall of 2012. Gloria is a Steinway Artist.

• NICK CANELLAKIS

  Pianist Gloria Chien has been picked by the Boston Globe as one of the Superior Pianists of the year, “… who appears to excel in everything.” Richard Dyer praises her for “a wondrously rich palette of colors, which she mixes with dashing bravado and with an uncanny precision of calibration…Chien’s performance had it all, and it was fabulous.”

  Gloria made her orchestral debut at the age of 16 with the Boston Symphony Orchestra. Since then, she has appeared as a soloist under the batons of Sergiu Comissiona, Keith Lockhart, Thomas Dausgaard, Irwin Hoffman, Benjamin Zander, and Robert Bernhardt. She is a prize winner of the World Piano Competition, Harvard Musical Association Award, as well as the San Antonio International Piano Competition, where she also received the prize for the Best Performance of the Commissioned Work. Gloria has presented solo recitals at the Isabella Stewart Gardner Museum, Harvard Musical Association, Sanibel Musical Festival, Caramoor Musical Festival, Salle Cortot in Paris, and the National Concert Hall in Taiwan.

  An avid chamber musician, Gloria has been the resident pianist with the Chameleon Arts Ensemble of Boston since 2000, a group known for its versatility and commitment to new music. Boston Herald praises her for “ [playing] phenomenally.” Her recent CD with violinist, Joanna Kurkowicz, featuring music of Grazyna Bacewicz was released on Chandos Records. The International Record Review writes, “[the violinist] could ask for no more sensitive or supportive a pianist than Gloria Chien.” Harmonie Magazine writes, “…but it would be unfair not to mention the pianist, who is accompanying the soloist in an absolutely responsive, impressive and confident way. She is more than an accompanist — rather, she is an equivalent partner to the soloist.” The Strad praises her for “super performances…accompanied with great character.” She also received fantastic reviews in Gramophone, American Record Guide, and Muzyka 21. Gloria has participated in such festivals as Chamber Music Northwest, Music Academy of the West, Verbier Music Festival, Bay Chamber Concerts, and Music@Menlo, where she was appointed Director of the Chamber Music Institute in 2010 by Artistic Directors, David Finckel and Wu Han.

  Her recent performances include collaborations with the St. Lawrence, Miró, Borromeo, Daedalus and Jupiter String Quartets, David Shifrin, Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, Cho-Liang Lin, Ani Kavafian, Ida Kavafian, Wu Han, Rob Kapilow, Paul Neubauer, Roberto Diaz, Andres Diaz, Sharon Robinson, James Ehnes, Nai-Yuan Hu, Bion Tsang, Soovin Kim, Carolin Widmann, Edward Arron and Anthony McGill.

  In fall of 2009, Gloria launched String Theory at the Hunter, a chamber music series at the Hunter Museum of American Art in downtown Chattanooga, as its founder and artistic director.

  Gloria began playing the piano at the age of five in her native Taiwan. She has a doctor of musical arts, a master’s and an undergraduate degree from the New England Conservatory of Music in Boston. Her teachers have included Russell Sherman and Wha-Kyung Byun. Gloria is an Associate Professor at Lee University in Cleveland, TN, and will be a member of the prestigious Chamber Music Society Two of Lincoln Center starting fall of 2012. Gloria is a Steinway Artist.