2019-2020 Season

BENJAMIN BEILMAN AND ANDREW TYSON VIOLIN AND PIANO

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PROGRAM

• Debussy – Sonata in G minor for violin and piano

• Stravinsky – Suite Italienne for violin and piano

• Grieg – Violin Sonata No. 3in C minor, Op. 45

Program Notes

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ARTIST BIOS

• ANDREW TYSON

  Hailed by BBC Radio 3 as “a real poet of the piano,” American pianist Andrew Tyson is emerging as a distinctive and important new musical voice. In summer 2015, he was awarded First Prize at the Géza Anda Competition in Zürich, as well as the Mozart and Audience Prizes. These victories have resulted in numerous performances throughout Europe under the auspices of the Géza Anda Foundation.

  Tyson is also a laureate of the Leeds International Piano Competition where he won the new Terence Judd-Hallé Orchestra Prize, awarded by the orchestra and conductor Sir Mark Elder with whom he enjoys an ongoing relationship. With concerto performances taking him across North America, Europe and further afield, Tyson has performed with orchestras from the North Carolina Symphony, the Colorado Symphony, the Kansas City Symphony and the Orchestra of St. Luke’s at Alice Tully Hall, to the Osaka Symphony, SWR Symphony Orchestra Stuttgart, Musikkollegium Winterthur and the National Orchestra of Belgium. Highlights this season include a return to the Hallé and Bournemouth Symphony Orchestras as well as his debut with the Flanders Symphony Orchestra.

  Recital appearances include major cities across the US and Europe at venues such as Brussels’ Palais des Beaux-Arts, New York’s Carnegie Hall and the Zürich Tonhalle. Following last season’s recitals in Shanghai, Vancouver, St Petersburg, Tokyo and a return to London’s Wigmore Hall, this season sees Tyson giving recitals in Taiwan for the first time as well as a tour in Switzerland. No stranger to the festival scene, Tyson’s previous performances include Caramoor Centre for the Music and the Arts, the Lincoln Center’s Mostly Mozart Festival, the Lucerne Piano Festival, the Pacific Music Festival in Japan and the Musica Viva festival in Sydney for a mixture of solo and chamber performances. An active chamber musician, Tyson regularly appears in recital with violinist Benjamin Beilman; this season they join up again for performances in the USA.

  Tyson’s three recital discs have been issued on the Alpha Classics label. His debut disc comprises the complete Chopin Preludes whilst his second album released in March 2017 features works by Scriabin and Ravel. His latest disc, Landscapes, released in September 2019, features works by Mompou, Albéniz, Scarlatti and Schubert and is described by Tyson as a programme which “synthesizes my love of Spanish music, my love of nature and my fascination with the coloristic aspects of piano playing.” The album title takes its name from Federico Mompou’s Paisajes, which are “landscapes of the mind as much as intimate, yet vivid depictions of Spain”.

  As winner of the Young Concert Artists International Auditions in 2011, Tyson was awarded YCA’s Paul A. Fish Memorial Prize and the John Browning Memorial Prize and following that he received an Avery Fisher Career Grant. After early studies with Thomas Otten he attended the Curtis Institute of Music where he worked with Claude Frank. Tyson later studied with Robert McDonald earning his Master’s degree and Artist Diploma at The Juilliard School, winning the Gina Bachauer Piano Competition and receiving the Arthur Rubinstein Prize in Piano.

• BENJAMIN BEILMAN

  Born in 1989, American violinist Benjamin Beilman is winning plaudits across the globe for his compelling and impassioned performances, his deep rich tone and searing lyricism. The Scotsman has described him as “a remarkable talent, delivering playing of rare insight and generosity, as captivating as it is gloriously entertaining” and the New York Times has praised his “handsome technique, burnished sound, and quiet confidence [which] showed why he has come so far so fast”.

  During the Beethoven celebrations in 2020, Beilman will perform the Beethoven Concerto with the Budapest Festival Orchestra conducted by Janowski, the Wroclaw Philharmonic and their Music Director Guerrero on tour across Poland, the Orchestra Metropolitain (Montreal) with Han-Na Chang and with the Orchestre National du Capitole de Toulouse in Sokhiev’s closing concert as Musical Director. Other highlights in 19/20 include debuts with the Danish National Symphony, Gürzenich (Cologne), Tonkünstler (Vienna), Antwerp Symphony orchestras, in the US with the Utah Symphony and Minnesota orchestras, and his return to the London Chamber Orchestra to play/direct.

  In past seasons, Beilman has performed with many major orchestras worldwide including the Rotterdam Philharmonic, London Philharmonic, Frankfurt Radio Symphony, Zurich Tonhalle, Sydney Symphony, San Francisco Symphony, Houston Symphony and Philadelphia Orchestra both at home and at Carnegie Hall. In recital and chamber music, Beilman performs regularly at the major halls across the world, including Carnegie Hall, Lincoln Center, Wigmore Hall, Louvre (Paris), Philharmonie (Berlin), Concertgebouw (Amsterdam), Bunka Kaikan (Tokyo) and at festivals he has performed at eg Verbier, Aix-en-Provence Easter, Prague Dvorak, Robeco Summer Concerts (Amsterdam), Music@Menlo, Marlboro and Seattle Chamber Music amongst others. In early 2018 he premiered a new work dedicated to the political activist Angela Davis written by Frederic Rzewski and commissioned by Music Accord which he has performed extensively across the US.

  Beilman studied with Almita and Roland Vamos at the Music Institute of Chicago, Ida Kavafian and Pamela Frank at the Curtis Institute of Music, and Christian Tetzlaff at the Kronberg Academy, and has received many prestigious accolades including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant and a London Music Masters Award. He has an exclusive recording contract with Warner Classics and released his first disc ‘Spectrum’ for the label in 2016, featuring works by Stravinsky, Janáček and Schubert. Beilman plays the “Engleman” Stradivarius from 1709 generously on loan from the Nippon Music Foundation.