Anne-Marie McDermott photo credit: Matteo Trisolini | Paul Neubauer photo credit: Tristan Cook
TUESDAY APRIL 7
Songs from the British Isles for voice, viola and piano:
Songs for voice, viola and piano:
Songs for voice, viola and piano:
Evening Song (1871)
Sing, Smile and Slumber (Quand tu chantes) (1882)
Songs from Italy for voice, viola and piano:
Pianist Anne-Marie McDermott is a consummate artist who balances a versatile career as a soloist and collaborator. She performs over 100 concerts a year in a combination of solo recitals, concerti and chamber music. Her repertoire choices are eclectic, spanning from Bach and Haydn to Prokofiev and Scriabin to Kernis, Hartke, Tower and Wuorinen.
With over 50 concerti in her repertoire, Ms. McDermott has performed with many leading orchestra including the New York Philharmonic, Minnesota Orchestra, Dallas Symphony, Columbus Symphony, Seattle Symphony, National Symphony, Houston Symphony, Colorado Symphony, Pittsburgh Symphony, St. Louis Symphony, Atlanta Symphony, Los Angeles Chamber Orchestra, Moscow Virtuosi, Hong Kong Philharmonic, San Diego Symphony, New Jersey Symphony and Baltimore Symphony among others. Ms, McDermott has toured with the Australian Chamber Orchestra and the Moscow Virtuosi.
In the recent seasons, Ms, McDermott performed with the Philadelphia Orchestra, Buffalo Philharmonic, North Carolina Symphony, Charlotte Symphony, Huntsville Symphony, Alabama Symphony, San Diego Symphony, the Oregon Mozart Players, and the New Century Chamber Orchestra.
Recital engagements have included the 92nd Street Y, Alice Tully Hall, Town Hall, The Schubert Club, Kennedy Center, as well as universities across the country. Anne-Marie McDermott has curated and performed in a number of intense projects including: the Complete Prokofiev Piano Sonatas and Chamber Music, a Three Concert Series of Shostakovich Chamber Music, as well as a recital series of Haydn and Beethoven Piano Sonatas. Most recently, she commissioned works of Charles Wuorinen and Clarice Assad which were premiered in May 2009 at Town Hall, in conjunction with Bach’s Goldberg Variations.
As a soloist, Ms. McDermott has recorded the complete Prokofiev Piano Sonatas, Bach English Suites and Partitas (which was named Gramophone Magazine’s Editor’s Choice), and most recently, Gershwin Complete Works for Piano and Orchestra with the Dallas Symphony and Justin Brown.
In addition to her many achievements, Anne-Marie McDermott has been named the Artistic Director of the famed Vail Valley Music Festival in Colorado, which hosts the New York Philharmonic, the Philadelphia Orchestra and the Dallas Symphony in addition to presenting over 40 chamber music concerts throughout the summer. She is also Artistic Director of two new Festivals; The Ocean Reef Chamber Music Festival and The Avila Chamber Music Celebration in Curacao.
As a chamber music performer, Anne-Marie McDermott was named an artist member of the Chamber Music Society of Lincoln Center in 1995 and performs and tours extensively with CMS each season. She continues a long standing collaboration with the highly acclaimed violinist, Nadja Salerno Sonnenberg. As a duo, they have released a CD titled “Live” on the NSS label and plan to release the Complete Brahms Violin and Piano Sonatas in the future. Ms. McDermott is also a member of the renowned piano quartet, Opus One, with colleagues Ida Kavafian, Steven Tenenbom and Peter Wiley.
She continues to perform each season with her sisters, Maureen McDermott and Kerry McDermott in the McDermott Trio. Ms, McDermott has also released an all Schumann CD with violist, Paul Neubauer, as well as the Complete Chamber Music of Debussy with the Chamber Music Society of Lincoln Center.
Ms. McDermott studied at the Manhattan School of Music with Dalmo Carra, Constance Keene and John Browning. She was a winner of the Young Concert Artists auditions and was awarded an Avery Fisher Career Grant.
Ms. McDermott regularly performs at Festivals across the United States including, Spoleto, Mainly Mozart, Sante Fe, La Jolla Summerfest, Mostly Mozart, Newport, Caramoor, Bravo, Chamber Music Northwest, Aspen, Music from Angelfire, and the Festival Casals in Puerto Rico, among others.
Alabama-born soprano Susanna Phillips, recipient of The Metropolitan Opera’s 2010 Beverly Sills Artist Award, continues to establish herself as one of today’s most sought-after singing actors and recitalists.
In the 2018-19 season, Ms. Phillips will return to the Metropolitan Opera for an eleventh consecutive season to sing her acclaimed Musetta in Puccini’s La Bohème. She will also make two role debuts as Micaela in Carmen and Donna Elvira in Don Giovanni with the Metropolitan Opera. With Cincinnati Opera, Ms. Phillips will sing the role of Countess Almaviva in Le Nozze di Figaro. Orchestrally, Ms. Phillips will perform and record Berg’s Sieben Frühe Lieder with the San Francisco Symphony, led by Michael Tilson Thomas, and will sing Mahler’s Fourth Symphony at the La Jolla Music Society’s SummerFest. Ms. Phillips will celebrate the bicentennial of Alabama with her native Huntsville Symphony Orchestra, performing Strauss’s Vier Letzte Lieder. This summer’s highlights include a recital with Lincoln Center’s Mostly Mozart Festival, and the 10th Anniversary of chamber music with Twickenham Fest.
The 2017-18 season saw Ms. Phillips return to the Metropolitan Opera to sing her acclaimed Musetta in Puccini’s La bohème. She made her role and company debut as Birdie in Blitzstein’s Regina with the Opera Theatre of Saint Louis, sharing the stage with Susan Graham and James Morris. Orchestra engagements included Mozart’s Mass in C Minor with the Orchestra of Saint Luke’s, the soprano solo in Elijah with the Music of the Baroque in Chicago, concerts in New York and Chicago with the Chamber Music Society of Lincoln Center, and Barber’s Knoxville: Summer of 1915 with Teddy Abrams’s leading the Milwaukee Symphony. She also gave a recital at the Collaborative Arts Institute of Chicago. Highlights of Ms. Phillips’s previous opera seasons include numerous Metropolitan Opera appearances: Fiordiligi in Così fan tutte with James Levine conducting, in what the New York Times called a “breakthrough night,” Rosalinde in a new production of Die Fledermaus, Donna Anna in Don Giovanni, Pamina in Julie Taymor’s production of The Magic Flute, Musetta in La Bohème (both in New York and on tour in Japan), as Clémence in the Met premiere of Kaija Saariaho’s L’amour de loin, Antonia in Les Contes d’Hoffmann, and as a featured artist in the Met’s Summer Recital Series in both Central Park and Brooklyn Bridge Park. She also appeared at Carnegie Hall for a special concert performance as Stella in Previn’s A Streetcar Named Desire opposite Reneé Fleming – a role Ms. Phillips went on to perform, to rave reviews, at Lyric Opera of Chicago. She also has sang Ellen Orford in Peter Grimes with the St. Louis Symphony in St. Louis and at Carnegie Hall.
Ms. Phillips made her Zurich Opera debut as Donna Anna in Don Giovanni, and made her Santa Fe Opera debut as Pamina, and subsequently performed a quartet of other Mozart roles with the company as Fiordiligi in Così fan tutte, Countess Almaviva in Le nozze di Figaro, Arminda in La finta giardiniera, and Donna Elvira in Don Giovanni. Ms. Phillips also performed recitals at Carnegie Hall, the Celebrity Series of Boston, and with Eric Owens at the Washington Performing Arts in a program co-curated by Justice Ruth Bader Ginsburg. As a member of the Ryan Opera Center, Phillps sang the female leads in Roméo et Juliette and Die Fledermaus. Additional roles include Elmira in Reinhard Keiser’s The Fortunes of King Croesus, and the title roles in Lucia di Lammermoor and Agrippina. Phillips has made appearances at Oper Frankfurt, Dallas Opera, Minnesota Opera, Fort Worth Opera Festival, Boston Lyric Opera and Opera Birmingham.
Highly in demand by the world’s most prestigious orchestras, Ms. Phillips has appeared with the Royal Stockholm Philharmonic under Alan Gilbert, Chicago Symphony Orchestra, San Francisco Symphony, Philadelphia Orchestra, Oratorio Society of New York, Santa Fe Symphony, Santa Barbara Symphony, St. Louis Symphony, Gulbenkian Orchestra, Orchestra of St. Luke’s, Atlanta Symphony, Santa Fe Concert Association, Boston Baroque, and her native Huntsville Symphony.
An avid chamber music collaborator, Ms. Phillips recently teamed with bass-baritone Eric Owens for a recital of Schubert lieder, which they have taken on tour in Chicago with members of the Chicago Symphony Orchestra, at the Gilmore Festival, and Philadelphia Chamber Music Society. Additional recital engagements included chamber music concerts with Paul Neubauer and Anne Marie McDermott, an appearance at the Parlance Chamber Music Series with Warren Jones, the 2014 Chicago Collaborative Works Festival, and the Emerson String Quartet in Thomasville, Georgia with Warren Jones and colleagues from the Metropolitan Opera. She co-founded Twickenham Fest, a chamber music festival in her native Huntsville, Alabama, which will celebrate its 10th Season in 2019. Ms. Phillips made her solo recital debut at Carnegie’s Weill Recital Hall with pianist Myra Huang.
Other recent concert and oratorio engagements include Beethoven’s Ninth Symphony, Mahler’s Second and Fourth Symphonies, Mozart’s Coronation Mass, the Fauré and Mozart Requiems, Carmina Burana, and Handel’s Messiah. She made her Carnegie Hall debut with Skitch Henderson, Rob Fisher, and the New York Pops. Following her Baltimore Symphony Orchestra debut under Marin Alsop, the Baltimore Sun proclaimed: “She’s the real deal.”
In August 2011, Ms. Phillips was featured at the opening night of the Mostly Mozart Festival, which aired live on Live From Lincoln Center on PBS. The same year saw the release of Paysages, her first solo album on Bridge Records, which was hailed as “sumptuous and elegantly sung” (San Francisco Chronicle). The following year saw her European debut as Pamina in Die Zauberflöte at the Gran Teatro del Liceu, Barcelona.
As resident artist at the 2010 and 2011 Marlboro Music Festivals, she was part of Marilyn Horne Foundation Gala at Carnegie Hall, made her New York solo recital debut at Lincoln Center’s Alice Tully Hall, and appeared at the Kennedy Center in Washington, DC under the auspices of the Vocal Arts Society. In 2005 Ms. Phillips won four of the world’s leading vocal competitions: Operalia (both First Place and the Audience Prize), the Metropolitan Opera National Council Auditions, the MacAllister Awards, and the George London Foundation Awards Competition. She has also claimed the top honor at the Marilyn Horne Foundation Competition, and has won first prizes from the American Opera Society Competition and the Musicians Club of Women in Chicago. Ms. Phillips has received grants from the Santa Fe Opera and the Sullivan Foundation, and is a graduate of Lyric Opera of Chicago’s Ryan Opera Center. She holds both a Bachelor of Music and Master of Music degree from The Juilliard School.
A native of Huntsville, Alabama, over 400 people traveled from her hometown to New York City in December 2008 for Ms. Phillips’ Metropolitan Opera debut in La Bohème. She returns frequently to her native state for recitals and orchestral appearances.
Violist Paul Neubauer's exceptional musicality and effortless playing led the New York Times to call him “a master musician.” He recently made his Chicago Symphony subscription debut with conductor Riccardo Muti and his Mariinsky Orchestra debut with conductor Valery Gergiev. He also gave the US premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia, a work he premiered with the St. Paul Chamber, Los Angeles Chamber, and Idyllwild Arts orchestras and the Chautauqua Symphony, was released on Signum Records. His recording of the complete viola and piano music by Ernest Bloch with pianist Margo Garrett was released on Delos.
A two-time Grammy nominee, Mr. Neubauer released a solo album of music recorded at Music@Menlo. His recording of piano quartets with Daniel Hope, David Finckel and Wu Han was recently released on the Deutsche Grammophon label. Joan Tower's Purple Rhapsody with Timothy Russsell and the Pro Music Chamber Orchestra, commissioned for him by seven orchestras and the Koussevitsky Foundation, was released by Summit Records. Other recorded works that were written for him include: Wild Purple for solo viola by Joan Tower for Naxos; Viola Rhapsody a concerto by Henri Lazarof on Centaur Records; and Soul Garden for viola and chamber ensemble by Derek Bermel on CRI. His recording of the Walton Viola Concerto was re-released on Decca and his Schumann recital album with pianist Anne-Marie McDermott was recorded for Image Recordings.
During his six year tenure with the New York Philharmonic, Paul Neubauer appeared as soloist with that orchestra in over twenty performances. One particularly memorable performance was the New York premiere of Krzysztof Penderecki's Viola Concerto with Penderecki conducting. He has appeared with over 100 orchestras throughout the United States, Europe, and Asia including the Los Angeles Philharmonic, the Orchestra of St. Luke's, the San Francisco, National, St. Louis, Dallas, Indianapolis, Puerto Rico and Cincinnati symphonies, the Bavarian State Radio Orchestra, the Helsinki Philharmonic, the Hungarian Radio Orchestra, the Orchester der Beethovenhalle Bonn (with whom he performed the world premiere of the newly revised version of Bartók's Viola Concerto), the Kansas City Symphony (premiering Tobias Picker's Viola Concerto), the English Chamber Orchestra (performing the world premiere of Gordon Jacob's Viola Concerto no. 2), and the Knoxville Symphony (premiering David Ott's Viola Concerto). Mr. Neubauer made his Carnegie Hall Debut playing the first performance of Joel Philip Friedman's Concerto for Viola and Orchestra with the National Orchestral Association. He has also appeared with the Stockholm Chamber Orchestra, Royal Liverpool Philharmonic, Hong Kong Philharmonic, Ensemble orchestral de Paris, Orquesta Filharmonica de Buenos Aires, Bournemouth Symphony, and the Taipei National Symphony. In Rome, he has performed with violinist Vladimir Spivakov and the Orchestra of the National Academy of Santa Cecelia. Other collaborations include performances with Andre Watts and Vladimir Feltsman at the Metropolitan Museum of Art; with Joshua Bell and Steven Isserlis at London's Wigmore and Queen Elizabeth Hall’s; and with Pinchas Zukerman, James Galway, Vladimir Spivakov and Alicia de Larrocha at the Mostly Mozart Festival. He has also collaborated with the Emerson, Shanghai, Juilliard, Cleveland, Fine Arts, Orion, Borromeo, Miami, and Brentano quartets.
Mr. Neubauer's musical activities are consistently creative. In a pair of highly acclaimed New York premieres, he performed Bartók's Viola Concerto (which he helped to revise along with Bartók's son, Peter and composer Nelson Dellamaggiore), and Max Bruch's Double Concerto for Clarinet and Viola with clarinetist David Shifrin. He also gave the North American premiere of the Detlev Müller-Siemens Viola Concerto and Richard Suter's Three Nocturnes for Viola and Orchestra. He has been featured as a special guest artist of the New York City Ballet at Lincoln Center in performances of Viola Alone, and on the popular radio show A Prairie Home Companion. He was very successful as the director of Voilà Viola, a viola festival held at Merkin Hall in New York, and has toured the United States with pianist Christopher O'Riley, violinist Pamela Frank, and cellist Carter Brey.
In addition to his innumerable orchestral, recital, and festival appearances, Paul Neubauer is accessible to a broad range of television and radio audiences through Live from Lincoln Center telecasts with the Chamber Music Society of Lincoln Center. He has been featured on CBS's Sunday Morning; in recital on PBS's Front Row Center and In Concert; on Argentinean, Brazilian, and Mexican television as soloist with orchestras; on National Public Radio's Performance Today and Morning Edition, on St. Paul Sunday Morning, as well as on international radio performances throughout the world.
Among Mr. Neubauer's numerous awards are First Prize in the Mae M. Whitaker International Competition, the D'Angelo International Competition, and the Lionel Tertis International Viola Competition. He has been the recipient of a Solo Recitalist's Fellowship from the National Endowment for the Arts and a special prize from the Naumburg Foundation, which awarded him an Alice Tully Hall recital debut. Moreover, the Epstein Young Artists Program has sponsored him and he was the first violist chosen to receive an Avery Fisher Career Grant.
Born in Los Angeles and currently residing in New York City, Mr. Neubauer studied with Alan de Veritch, Paul Doktor, and William Primrose. He holds a Master's Degree from The Juilliard School where he is now a member of the faculty. He also teaches at Mannes College. He is the Artistic Director of the Mostly Music series in New Jersey.
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